Welcome to the worldly adventures of SEVEN

SEVEN is a collective of multi-disciplined artists from rural Nova Scotia. Collaboration is the foundation for creativity, where each artist responds artistically in her own medium to a selected theme. Through collective discourse, various elements combine to form a much richer body of thought - adding new and perhaps unforeseen levels of creativity and interpretation.

Rurally routed to their tidal landscape, SEVEN knows, what goes out, does come in.



Showing posts with label Annapolis Valley artists. Show all posts
Showing posts with label Annapolis Valley artists. Show all posts

Wednesday, July 25, 2012

Get Better ~ SEVEN at Swoon Gallery

SEVEN will once again be exhibiting their work in a gallery setting. This time around we have the wonderful opportunity to show our work at the lovely Swoon Gallery on Hammonds Plains Road in Halifax, Nova Scotia.
We invite you to join us at our opening reception on Saturday, August 4th, 2012 from 2 - 5 pm. We would love to see you there. The exhibit continues until September 1st, 2012. For further information on the gallery exhibit, visit www.swoonfineart.com.

The theme for SEVEN's show is based on the poem Get Better, written by the poet in the collective, Kelly Marie Redcliffe. The six visual artists in the group created pieces inspired by the words, thoughts, ideas and visions they gleaned when listening to and reading the poem in their own studios. With six different mediums, six different creative styles, and six different interpretations, this show is sure to offer up a new way of interpreting the written form.

Join our facebook event page:
https://www.facebook.com/events/163265323809575/


Friday, August 27, 2010

Intentions were good...



Sometimes life's adventures take up all of one's time, leaving little time to blog about life's adventures.  Such was the case during my adventure that began in Denmark and spilled over into these days since my return.  

I embarked on this artistic exchange, fully open to absorbing the Danish culture's art, design and aesthetic - consciously unaware at the time that these are, of course, methods of communication. I fully expected to return with a new clarity to “seeing” that one often experiences after time spent elsewhere. I certainly didn't expect to come back with a new-found awareness of intent in communication.

Placing visual communication aside, I quickly discovered that travelling with three other strong, independent women, places every nuance, word and expression under a microscope of scutiny. The situation challenges one to be conscious of word choices, tone, phrasing and even silences.

By immersing myself in this exchange with SEVEN, by stepping away from my usual surroundings, routines and companions, I gained clarity – clarity of my own communication shortcomings. I've been humbled to know that after 48 years, I'm still not the great communicator I was hoping to be.

But, through this exchange, the ground has shifted - or I've shifted. I can now see how deeply affected we all are by the intention behind communication of every kind. Our intent is paramount. No matter what form it takes - be it a piece of music, a speech, a painting or a conversation with a friend, what matters most is intent. Whether we consciously realize it or not, we all see through to the real intention - the true reason for the communication, which explains why we may be moved by one thing and not another.

My opportunity now is to enhance all facets of my communications, both visually and in my everyday conversations - to hold my intent close so I can keep an eye on it.   

Peace,
Deborah


Friday, July 9, 2010

The traveling box for our artwork is HERE!

Ladies and Gentlemen
I have to tell you this has been quite a journey and we haven't even left the county, the valley, never mind the country yet.
The latest hubbub on our journey was the venture of getting a suitable crate built - we thought from the papers that we read that....
we needed certified wood and that was it. So a good supporter used to building houses had offered to built the crate for us to our specifications and within the rules and regulations as we had understood them.
The builder had a hard time getting through to the powers that be who were in control of the certified woods we were allowed to use.
And now it was Monday, July 5th and still nothing - phew, this gave even my husband a slightly sweaty brow and he had gone on an early morning internet search while I was still far away in dreamland.

He found a certified company near Bridgewater and later that day started a flurry of phone conversations with the company boss. It turned out that the builder also had to be certified and .... our builder was certified but not for this.
We were so fortunate that Tecbox was able to quote us a price and also.... build us the crate in two days. They got our measurements 4' x 4'x 4.5' (well, sort of anyways) and they put it together. We were so pleased that this could happen on such short notice.
This afternoon Soren and I drove down to get the box, first though we went sailing with the dog in the Lunenburg Backharbour, where his boat is moored for the summer and we had a little sail about in the warm sun with slight wind on our faces keeping us pleasantly cool.
 


And then...... we drove to Tecbox to pick up the creature - (the photo is Soren and Marshall unloading) and I had meant to take photos as the box was being loaded but..... I chatted with the owners and Soren took care of all this outside in the heat with one of the men from the building room while I was inside an air-conditioned office with the dog. It was pleasant, fun, excellent service and if anyone ever needs a special crate for something try out this place.



I haven't looked into the box yet, the lid was screwed on (note to self bring the right kind of screwdriver in the suitcase, screwdrivers are not the same all over the world ) but I was told that there are styro-foam lined sides + 5 sheets of 1 inch styrofoam for us to cut and divide to the size of our works so everything can arrive safely in Copenhagen.

More unloading with Soren and Marshall




Dear Reader, are you aware that we are only 3 weeks away from being there now, actually, at this moment in time three weeks ahead we will be having a cool drink and relaxing our bones on the roof top terrace at my sister's appartement. I guess that really this is a rhetorical question, I had to ask it since I am wildly eager to tell you that I am aware, very aware and the good anticipation for the whole adventure is growing wildly and fabulously by the minute.
Will our artwork get motion sickness once we get it all packed and it has to move around with a forklift again?


We drove home from Bridgewater with the box on the truck, stopped to secure it with some of our sailing rope before we  hit the highway and then..... I fell asleep as did the dog and we didn't open our eyes again until we were at almost the other end of highway 12, which means we were almost home.

A slightly forlorn looking box, funny how the size changes when you have nothing to measure it against with your eyes, this is surely a small box - well, no, not really!

Now it was time to take the box to the Randsland Farm - a magnificent broccoli farm employing lots of  people. Marilyn's husband is one of the brothers in that big family and also their consultant, keeping the whole fleet of needed machinery running smoothly at all times.

This was very fortunate for us, for as this aforementioned box is not a small box and as we are not exactly is sharp training for the Olympic competition of weight lifting,  getting said box off the truck and into an appropriate spot might have been an interesting experience for the three of us.
However,  Marshall has access to ..... forklifts ...... hurray!
I don't think we saw the words 'forklift knowledge and driver required' when we were reading our to-do list in the fall of 2009, that was when we really got into the swing of our preparations.

So the box got forklifted into place and I had the fortunate experience of looking at one of the 10 or 20 greenhouses on the property. Each greenhouse holding close to a thousand trays of broccoli - each tray holds 270 broccoli plants 270.000 broccoli plants in the photo. They are about one thumb high and they are 'three weeks old'. They will cover approximately 10-11 acres of land.

When they are 6 weeks old they are big enough to be harvested and then they go .... to many different places - we saw an enormous truck being loaded with broccoli headed for Newfoundland.
And here are the workers who labour hard in the fields for us all summer, cutting,  sorting and packaging the broccoli  available for us in our supermarket, near and far from here.
This of course was a little detour from what we are doing but...... people say never forget where you come from, and I don't, and on top of that I would like to add 'never forget where your food comes from, and if you don't know, then please start to ask questions at the place you get your groceries. 

Going back to where I come from for the first time in 5 years in a few weeks is truly amazing and ...... when we open the box and share  with the audience across the atlantic in a not very local spot for the rest of the group I will be looking at surroundings which I grew up in, lived life in and .........  I am so looking forward to go back for a visit.

See you soon, Pia
 Wonderous Woolerie and super SEVEN

Tuesday, July 6, 2010

Danish Press Release

Fiber, fantasier og farver fra Canada

Syv canadiske kunstnere udstiller på Sjælland og Fyn i august og september og oktober.

Syv kvindelige canadiske kunstnere, hvis valg af materialer spænder fra ord og uld til fiber og farver, og som er gået sammen i gruppen SEVEN, udstiller i Danmark til august. Deres første stop bliver Basal Elin Galleri i København 5.-8. august efterfulgt af en endagsudstilling på Basal Elin Studio i Hørsholm 14. august. Gruppen udstiller derefter på Værkstedsgalleriet i Kerteminde fra d. 12. september til d. 12. oktober.

Gruppen er baseret i Nova Scotia på østkysten af Canada. De vildsomme maritime og skovmiljøer samt rustikke landbrugsomgivelser i denne provins har stor indflydelse på kvindernes arbejde, ligeså vel som tanker og idéer om bæredygtighed, kvindelighed, menneskelige relationer og livet i det hele taget har stor betydning for deres inspiration. Deres kunst er sensuel, sjov og farverigt; det er nærværende, rørende og reflekterende.

Gruppens medlemmer er Pam Frail, Marilyn Rand, Marie Jardine, Pia Skaarer-Nielsen, Kelly Marie Redcliffe, Deborah Nicholson og Angela Melanson og deres aldre er fra 37 til 56 år. Selvom de alle hver for sig er selvstændige kunstnere med talrige udstillinger og bestilte opgaver på deres respektive cv’er, så har de dannet gruppe for at finde gensidig støtte og inspiration. Respekten for kvaliteten og spændvidden af hinandens arbejde og potentialet for at gå på opdagelse på nye veje binder dem sammen.

Dette er deres første europæiske turné.

Læs mere om gruppen, deres arbejde og deres turné i Danmark på
http://www.sevenartisans.blogspot.com/ eller på facebook http://facebook.com/SevenArtisans


Udstillingerne:
Basal Elin Kunst, Trepkasgade 5, 2100 København  
5.-8. august 2010
Torsdag 5. august 12-20, Fernisering samme dag kl. 18-20

Fredag 6. august kl.12-20
Lørdag 7. august og søndag 8. august fra kl. 10-17

Endagsudstilling i Hørsholm, Løjeltevej 12, 2970 Hørsholm
Lørdag, 14. august fra kl. 11-16

Værkstedsgalleriet, Kerteminde fra d. 12. september til d. 12. oktober
Fernisering kl. 12-14
Gedskovvej 3, 5300 Kerteminde

Thursday, July 1, 2010

Our Danish Press Release

We have a press release for our Canadian press contacts, but the Danish one has a fun title and lists the exact dates and addresses of our exhibition tour.  Enjoy!


FOR IMMEDIATE RELEASE – SEVEN CANADIAN ARTIST TO EXHIBIT IN DENMARK – OPENING RECEPTION (ARTISTS IN ATTENDANCE) THURSDAY, AUGUST 5th, 6pm to 8 pm

Dreams, threads and colours from Canada (Fiber, fantasier og farver fra Canada)


Seven Canadian artists will be showing in Sjælland and Fyn in August and September.

Seven Canadian female artists, whose choice of materials range from wool and words to copper and colours, and who have joined forces in a group called SEVEN, will be exhibiting in Denmark in August. Their first stop is Basal Elin Galleri in Copenhagen on 5-8 August followed by a one day show at the Basal Elin Studio in Hørsholm on 14 August. The group will then move on to show at Værkstedsgalleriet in Kerteminde 12 September to 12 October.

The group is based in Nova Scotia on the east coast of Canada. The rugged maritime, forest and rural settings of this province exert a strong influence on their work, as do thoughts and ideas about sustainability, womanliness, human relations and life in general. Their art is sensual, funny and reflective; touchable, colourful and caring.

The members of the group are Pam Frail, Marilyn Rand, Marie Jardine, Pia Skaarer-Nielsen, Kelly Marie Redcliffe, Deborah Nicholson and Angela Melanson and their ages range from 36 to 56. While all independent and experienced artists in their own right, with numerous shows and commissions under their belts, they have come together as a group for mutual support and inspiration. Respect for the quality and scope of each others work and the potential for exploring new avenues bind them together.

August 5-8, 2010
Basal Elin Galleri
Opening/Fernisering: Thursday, August 5th 18:00 to 20:00
(Artists in Attendance)
Trepkasgade 5,
2100 Copenhagen Ø
Denmark

August 14, 2010
Basal Elin Studio
Hours: 11:00 to 16:00
(Artists in Attendance)
Hørsholm, Denmark
September 12 - October 12, 2010
VærkstedsGalleriet (Dansk Husflid)
Opening/Fernisering: September 12
th, 13:00 to 14:00
(Artist in Attendance)
Gedskovvej 3,
5300 Kerteminde, Denmark


This is SEVEN's first European tour.

Read more about the group, their work and their tour in Denmark at http://www.sevenartisans.blogspot.com/.




Saturday, April 17, 2010

What? Why? What The...? (The Importance of Explaining)


Powder room. First visit to the home of a delightful couple. Dinner party. Opportunity to get to know one other. Powder room: tastefully decorated, little shelves lined with hedgehog collection, and a bathroom guest book. How delightful! I sign - of course.

Post dinner party. Apologetic phone call is necessary to explain why I signed as I did in said bathroom guest book.

Explanation:
While traveling around England with my parents many years ago, I signed Hugh Jarse into every sign-in book I could get my fingers on. After a week or so of doing this, while in one particularly large, quite, somber, ancient church, my mother was signing in after me and read my signature:

"Hugh Jarse? Hugh Jarse!? Who the heck is Hugh Jarse?!" She exclaimed out loud (and rather loudly), attracting the disdainful stares of two old ladies lighting candles nearby. Suddenly my mother realized what she was saying! Very funny moment - gave us many years of rolling-about-laughter.

Why am I telling you this? Well, being an artist, I strive to explain my thoughts, musings and passions, using my marks, colours and materials. And then, because artists need artist statements, I search for the words to explain - Why these marks? Why these colours? Why this particular subject matter? And why does it matter?

Recently, we, of SEVEN, challenged ourselves to pare down our artist statements to 30 words each.  If you'd like to try this, here's how I met this challenge:


Take 1,000 (or more) soul-searching, heart-pouring, here-is-my-inner-being-laid-bare-for-all-to-examine, words

Question each paragraph. Combine paragraphs that have similar meanings

Question each sentence. Combine sentences that have similar meanings

Get rid of all redundancy.

Analize every word in your statement, using a thesaurus, to apply the most meaning, the most impact, the most power to your statement.

Now read it to select individuals and ask them to tell you what they understood from it.

Rewrite as needed.



And voila! You have a clear, suscinct, powerful, direct explanation of what you're doing and why. Very useful for verbose artists, confused artists, and non-artists at dinner parties, gallery openings and when your grandmother asks why you don't have a real job.

So, why did I choose to sign Hugh Jarse in the bathroom guestbook after all these years? Well, the dinner party hosts gave us the grand tour, highlighting furnishings that had belonged to her mother. Got me thinking about my mother and her furnishings and when I saw the bathroom guest book – well! My mother had one in her bathroom! In one sentimental moment, it became quite clear to me what I would do to honour my mom.

There's just so much inside ourselves that is meaningless to others unless we can properly communicate it.

Thursday, March 11, 2010

Let's Do The Time Warp...

Because our blog is new and our artist collective is 3 years old, it seems appropriate to take jump into our time machine and visit some of our past creations.  In no particular order...

a bit of sculpture from Pam Frail...


... silk fusion with encaustic from Marilyn...

...acorns from Pia...
...Marie's copperwork...


...a painting by Angela...

... Deborah's digital serigraph...

















and, last, but certainly not least some of Kelly's poetry...


Staying Awake
by Kelly Marie Redcliffe

i . sleep

Awake? No, please, begin with sleep
a crow on murkied ice tugged out with tide. Bye

bye to time its hazards
no questions no accomodations
a herd of cloud-animals
galloping off to moon.

Quiet, the wingflap's darkling
I recognize as love.



ii wakesleeping

Waking is emergence, a yellow scope
poking from Calla Lily spathe.

Peek-a-boo I see you
squash-blossom horns delivering

pitch-perfect hellos
crayon streaks for sunshine

Now up
how to stay awake?

Gooped corners needing
excavation folding socks dirtied in a day.

Manners a white cane prattling pavement
safe across minutes.

Action a game of checkmarks
ta-dah! Cha-ching.

Washing machine is musac slish-sloshing upstairs
down. A sigh wants an excuse

a deep breath wants time
a trapped truth hates pretending

white lies white noise clutter
an aggressive unspoken wanting

forging forward
people aside

animal
human.

Don't walk away from it.
If you do you'll pay for it.

Shame an upturned tree
roots groping moss dangling.

Midday hoot of an owl
clear cylindrical.

Even ants build highways a pencil mark
through sand to get where they are going.


iii. waking up

If you want to change
you can! Vigilence

splayed under brush
chin stiffed into hand-heals pshaw

truthsayers and mimics here yea
hear yea stop waving exclamations at me

(please). Do not tease with aphorisms crowd
fear with sensations a throng of Cedar Waxwings

gorge fruit half-eaten spluttering to ground
red planets sweet squished

not an ounce of beauty wasted: eyes meet
in shared caring know that I love

doing as I said I would. Want
this.

Squash palms may ponder growth meanwhile
collect sunshine.

I lay on lawn on hand-stitched quilt from a friend's ex-partner's mother
sky-story writing shadows the universe on my back.

Being awake is what I do when
rested.

Skip routines try
a tidied entrance

soup made creamy with béchamel
spoon clunked in empty bowl. Satisfaction

yet incomplete weed-root
half in hand.

Learn flight
from reocurring dreams.


iv. awake again and again

It's so quiet I hear thirst lies
carelessly scrawled on chalkboard

sponged clean. A sunflower's root
drawing dew.

I am one who has not yet fallen
in love with herself believes it possible.

Squiggles of half-formed words
piled up falling asleep elongate into

stories lived in moonlit day. Sadness
turns orange is harvested. A last

yellow leaf twitches teardroplets plunk
in pond a harmonica note shudders
still a kiss is soft pucker blow
dandelion seed-darts are bubbles

encoded with hope
poof



Hi , Let me introduce myself

I'm Pam , a member of this collective. I like to crochet...alot... with whatever can be made into a loop. I've used precious metals and beach ropes to fulfill this desire to put things together with a sense of beauty. I am not limited to crochet though. I like to recycle too. And paint ...recycled things.
For 'Exchange' I'll be continuing with a theme I've been working with for the past year using pennies and pots and thoughts. Here are a couple pieces that I can now call studies for the works in progress.
I'd love to hear from any other mad crocheters out there!

Wednesday, March 10, 2010

Sunshine!

Spring is in the air in our beautiful valley. Looking forward to our Seven slumber party at Marilyn's next week.  Lately, our monthly meetings have been all business, business, business - building up towards our trip to Copenhagen.  (It's mind-boggling how many decisions and tasks there are!) 

We all agree that we need more fun, more creativity, more cheer and perhaps some wine or chocolate martinis and popcorn.  Natchos and salza would be nice, and those yummy chocolate coated peanuts, and oooo humus and crackers!  Oh, and gummy bears, jelly beans are good too...  cake!  Got to have cake, oh and cookies!

- Deborah

Thursday, February 25, 2010

Great beginnings and thoughts of world travels!

This is the year of exploration, the year of great expectations, the year of keeping ourselves on our toes from early morn 'till the moon comes up.

In August 2010 six of Seven, (Pam, Marilyn, Marie, Deborah, Angela and Pia) will travel over the ocean to Denmark to explore, exchange and experience ourselves and our work in a completely new setting - a different culture, a different language, different food habits and bicycle paths. 

Kelly will stay back in Nova Scotia holding the fort and preparing herself for sensory overload when we return and the next part of exchange and the talking starts.

We endeavour to keep ourselves and other interested parties up to date with our progess and plans on this blog.
Any and all of the participants: Pam, Kelly, Deborah, Angela, Marilyn, Marie and Pia will be updating this blog when we feel the whim to express and share our excitement of this upcoming adventure.  




We work as a group and separately - and here is an example of what  happened when we all got together with brushes, paint and a nice large canvas for an afternoon in a sun-filled greenhouse  working on our 2009 exhibit Awakenings.