Welcome to the worldly adventures of SEVEN

SEVEN is a collective of multi-disciplined artists from rural Nova Scotia. Collaboration is the foundation for creativity, where each artist responds artistically in her own medium to a selected theme. Through collective discourse, various elements combine to form a much richer body of thought - adding new and perhaps unforeseen levels of creativity and interpretation.

Rurally routed to their tidal landscape, SEVEN knows, what goes out, does come in.



Showing posts with label Nova Scotia artists. Show all posts
Showing posts with label Nova Scotia artists. Show all posts

Tuesday, September 13, 2011

Seven's Change

Seven is sadly saying good-bye to Charter Member, Pia Skarrer Nielsen.  With Seven since its conception in 2006, Pia has left the group to further study in the textile fields of Tapestry, spinning and all things woolly.  She continues with her business Wonderous Woolerie.  Pia and husband Soren are spending much time sailing our South Shore and enjoying other adventures.

Pia made a spectacular contribution to Seven, participating in shows at /Argyle Fine Art, Halifax, Awakenings at Harvest Gallery, Wolfville, and leading our group to our largest adventure to date- Three gallery shows at various locations in Denmark, and culminating with our presentation at the Craig Gallery, in Dartmouth.

We will miss Pia and her input to our group. But we understand that everyone's life must evolve and priorities change over the years. 


Wednesday, September 1, 2010

Found treasures

I have come home from Copenhagen with an unexpected treasure. It feels like a reward for past research and gives me such joy every time I see it.



Way back in January 2009 when we decided to do this trip I was wandering through the art texts at the Acadia University Library and was drawn to a large volume called Beyond Craft : The Art Fabric - by Jack Lenor Larsen and Mildred Constantine. I renewed this book many times intrigued by weaving techniques, scale of the work, dedication to a large project, simplicities, complexities and creativity. Many of the artists' works in this book were the inspiration for the work I created for 'Exchange'. One of the featured artists I admired was Franka Rasmussen.

' In the morning I walk about looking, and I think: surely this could be better. 
Or : what muck you made yesterday...all the little talks one has with oneself. And then one goes shopping and finds four lamp shades.....I think it may be the only ability I still haven't lost in my ripe old age: I am still able to find things'
 Franka Rasmussen  (1907 - 1994)

During our first days in Copenhagen, Deborah and I decided to spend a morning in the heart of the city finding galleries she had earmarked as worth a look. We had a blast loosing and finding ourselves. My respect grew by leaps and bounds for her navigationally adept brain. We came across Folk Kunst, made a mental note to return, took a photo for an additional reminder and carried on. Then it eluded us for a few days and when you are trying to fit many things into one day, going around a block more than once just isn't time efficient.

a table runner
'It is a tremendous strain to teach while making something yourself, but I couldn't do without either: getting to understand other people's way of thinking, getting new ideas started...I called it 'composition', later it became 'form and colour'...I simply tried to improve their vision, to teach them to see what they see.' Franka




Eventually, in the last week, around one more corner where many triangular blocks met, that sweet little sign showed up again. Inside was a gentle man named Morten Grue, shop owner, puppeteer, artist, maker of found object mobiles and a past student of Franka Rasmussen. This tiny little shop had some interesting vintage folk art AND some work done by Franka. Morten had purchased her summer home with contents (they were friends) and the last pieces he had of her's were in the store. They were here... and available, two wall hangings and two table runners. It just felt right. To see and touch them seemed to fulfill a quest and complete the project. It would be a few days before I decided to purchase a piece to bring home but I am happy every day that I did.

This one stayed at the store.
Morten kindly gave me the book with my purchase.

Franka Rasmussen -  'My attitude is that I will do things because the work is exciting in itself....that is the experience I want. The result however is not interesting. I have never kept a record or collected photos, because once a piece of work is finished, I'm on my way to the next one. It amazes me that I haven't felt the need to sell, but it wasn't necessary for my self confidence or for the reverence I feel for my work...It was this: I made the things for their own sake. That was the reason for working.'

And I have gone shopping and found................the end of a chapter....................Udveksling next....Pam

Friday, August 27, 2010

Intentions were good...



Sometimes life's adventures take up all of one's time, leaving little time to blog about life's adventures.  Such was the case during my adventure that began in Denmark and spilled over into these days since my return.  

I embarked on this artistic exchange, fully open to absorbing the Danish culture's art, design and aesthetic - consciously unaware at the time that these are, of course, methods of communication. I fully expected to return with a new clarity to “seeing” that one often experiences after time spent elsewhere. I certainly didn't expect to come back with a new-found awareness of intent in communication.

Placing visual communication aside, I quickly discovered that travelling with three other strong, independent women, places every nuance, word and expression under a microscope of scutiny. The situation challenges one to be conscious of word choices, tone, phrasing and even silences.

By immersing myself in this exchange with SEVEN, by stepping away from my usual surroundings, routines and companions, I gained clarity – clarity of my own communication shortcomings. I've been humbled to know that after 48 years, I'm still not the great communicator I was hoping to be.

But, through this exchange, the ground has shifted - or I've shifted. I can now see how deeply affected we all are by the intention behind communication of every kind. Our intent is paramount. No matter what form it takes - be it a piece of music, a speech, a painting or a conversation with a friend, what matters most is intent. Whether we consciously realize it or not, we all see through to the real intention - the true reason for the communication, which explains why we may be moved by one thing and not another.

My opportunity now is to enhance all facets of my communications, both visually and in my everyday conversations - to hold my intent close so I can keep an eye on it.   

Peace,
Deborah


Sunday, August 1, 2010

Smooth Sailing!

We were tired after the arrival to Copenhagen on Friday afternoon, but thankfully there was someeone to pick us up at the airport, two cars with two happy drivers whom I hadn't seen for 5 years. Time easily passes when living on two different continents.
We scaled the stairs to the fifth floor appartment we have been installed in - and ... The suitcases flew up the stairs, helped along by my brother who ..... Lives on the 6th floor and bicycles every day. Thank goodness for his help, we made it up with some huffing and puffing but no danger of cardiac arrests, our legs will be extra strong when leaving to go home again.
A telephone call was made to the shipper before closing time and ..... Tomorrow morning, Monday, we will go to the gallery just before 9 am and wait for the delivery truck to arrive sometime before lunch. We did make it down to the gallery on Friday afternoon and visited with Elin Friis the gallery owner for a little while, got instructions and a key, we really are here and tomorrow it starts up full speed ahead getting the exhibit out of the crate and organized on the walls.
Deborah did post a blog for SEVEN on Friday .... But in the jet lagged atmosphere of the appartment it ended up here
Such is life and today is another grand day with inspirational visits around town, much walking and even more talking and planning for future work and ventures.
Stay tuned!
Pia

Friday, July 9, 2010

The traveling box for our artwork is HERE!

Ladies and Gentlemen
I have to tell you this has been quite a journey and we haven't even left the county, the valley, never mind the country yet.
The latest hubbub on our journey was the venture of getting a suitable crate built - we thought from the papers that we read that....
we needed certified wood and that was it. So a good supporter used to building houses had offered to built the crate for us to our specifications and within the rules and regulations as we had understood them.
The builder had a hard time getting through to the powers that be who were in control of the certified woods we were allowed to use.
And now it was Monday, July 5th and still nothing - phew, this gave even my husband a slightly sweaty brow and he had gone on an early morning internet search while I was still far away in dreamland.

He found a certified company near Bridgewater and later that day started a flurry of phone conversations with the company boss. It turned out that the builder also had to be certified and .... our builder was certified but not for this.
We were so fortunate that Tecbox was able to quote us a price and also.... build us the crate in two days. They got our measurements 4' x 4'x 4.5' (well, sort of anyways) and they put it together. We were so pleased that this could happen on such short notice.
This afternoon Soren and I drove down to get the box, first though we went sailing with the dog in the Lunenburg Backharbour, where his boat is moored for the summer and we had a little sail about in the warm sun with slight wind on our faces keeping us pleasantly cool.
 


And then...... we drove to Tecbox to pick up the creature - (the photo is Soren and Marshall unloading) and I had meant to take photos as the box was being loaded but..... I chatted with the owners and Soren took care of all this outside in the heat with one of the men from the building room while I was inside an air-conditioned office with the dog. It was pleasant, fun, excellent service and if anyone ever needs a special crate for something try out this place.



I haven't looked into the box yet, the lid was screwed on (note to self bring the right kind of screwdriver in the suitcase, screwdrivers are not the same all over the world ) but I was told that there are styro-foam lined sides + 5 sheets of 1 inch styrofoam for us to cut and divide to the size of our works so everything can arrive safely in Copenhagen.

More unloading with Soren and Marshall




Dear Reader, are you aware that we are only 3 weeks away from being there now, actually, at this moment in time three weeks ahead we will be having a cool drink and relaxing our bones on the roof top terrace at my sister's appartement. I guess that really this is a rhetorical question, I had to ask it since I am wildly eager to tell you that I am aware, very aware and the good anticipation for the whole adventure is growing wildly and fabulously by the minute.
Will our artwork get motion sickness once we get it all packed and it has to move around with a forklift again?


We drove home from Bridgewater with the box on the truck, stopped to secure it with some of our sailing rope before we  hit the highway and then..... I fell asleep as did the dog and we didn't open our eyes again until we were at almost the other end of highway 12, which means we were almost home.

A slightly forlorn looking box, funny how the size changes when you have nothing to measure it against with your eyes, this is surely a small box - well, no, not really!

Now it was time to take the box to the Randsland Farm - a magnificent broccoli farm employing lots of  people. Marilyn's husband is one of the brothers in that big family and also their consultant, keeping the whole fleet of needed machinery running smoothly at all times.

This was very fortunate for us, for as this aforementioned box is not a small box and as we are not exactly is sharp training for the Olympic competition of weight lifting,  getting said box off the truck and into an appropriate spot might have been an interesting experience for the three of us.
However,  Marshall has access to ..... forklifts ...... hurray!
I don't think we saw the words 'forklift knowledge and driver required' when we were reading our to-do list in the fall of 2009, that was when we really got into the swing of our preparations.

So the box got forklifted into place and I had the fortunate experience of looking at one of the 10 or 20 greenhouses on the property. Each greenhouse holding close to a thousand trays of broccoli - each tray holds 270 broccoli plants 270.000 broccoli plants in the photo. They are about one thumb high and they are 'three weeks old'. They will cover approximately 10-11 acres of land.

When they are 6 weeks old they are big enough to be harvested and then they go .... to many different places - we saw an enormous truck being loaded with broccoli headed for Newfoundland.
And here are the workers who labour hard in the fields for us all summer, cutting,  sorting and packaging the broccoli  available for us in our supermarket, near and far from here.
This of course was a little detour from what we are doing but...... people say never forget where you come from, and I don't, and on top of that I would like to add 'never forget where your food comes from, and if you don't know, then please start to ask questions at the place you get your groceries. 

Going back to where I come from for the first time in 5 years in a few weeks is truly amazing and ...... when we open the box and share  with the audience across the atlantic in a not very local spot for the rest of the group I will be looking at surroundings which I grew up in, lived life in and .........  I am so looking forward to go back for a visit.

See you soon, Pia
 Wonderous Woolerie and super SEVEN

Thursday, July 1, 2010

Our Danish Press Release

We have a press release for our Canadian press contacts, but the Danish one has a fun title and lists the exact dates and addresses of our exhibition tour.  Enjoy!


FOR IMMEDIATE RELEASE – SEVEN CANADIAN ARTIST TO EXHIBIT IN DENMARK – OPENING RECEPTION (ARTISTS IN ATTENDANCE) THURSDAY, AUGUST 5th, 6pm to 8 pm

Dreams, threads and colours from Canada (Fiber, fantasier og farver fra Canada)


Seven Canadian artists will be showing in Sjælland and Fyn in August and September.

Seven Canadian female artists, whose choice of materials range from wool and words to copper and colours, and who have joined forces in a group called SEVEN, will be exhibiting in Denmark in August. Their first stop is Basal Elin Galleri in Copenhagen on 5-8 August followed by a one day show at the Basal Elin Studio in Hørsholm on 14 August. The group will then move on to show at Værkstedsgalleriet in Kerteminde 12 September to 12 October.

The group is based in Nova Scotia on the east coast of Canada. The rugged maritime, forest and rural settings of this province exert a strong influence on their work, as do thoughts and ideas about sustainability, womanliness, human relations and life in general. Their art is sensual, funny and reflective; touchable, colourful and caring.

The members of the group are Pam Frail, Marilyn Rand, Marie Jardine, Pia Skaarer-Nielsen, Kelly Marie Redcliffe, Deborah Nicholson and Angela Melanson and their ages range from 36 to 56. While all independent and experienced artists in their own right, with numerous shows and commissions under their belts, they have come together as a group for mutual support and inspiration. Respect for the quality and scope of each others work and the potential for exploring new avenues bind them together.

August 5-8, 2010
Basal Elin Galleri
Opening/Fernisering: Thursday, August 5th 18:00 to 20:00
(Artists in Attendance)
Trepkasgade 5,
2100 Copenhagen Ø
Denmark

August 14, 2010
Basal Elin Studio
Hours: 11:00 to 16:00
(Artists in Attendance)
Hørsholm, Denmark
September 12 - October 12, 2010
VærkstedsGalleriet (Dansk Husflid)
Opening/Fernisering: September 12
th, 13:00 to 14:00
(Artist in Attendance)
Gedskovvej 3,
5300 Kerteminde, Denmark


This is SEVEN's first European tour.

Read more about the group, their work and their tour in Denmark at http://www.sevenartisans.blogspot.com/.




Friday, June 11, 2010

What? Dream Catchers?





Keeping it short today. Trying to stay away from the dream world and focus on all the tasks at hand.

Our last show was Awakenings. These are my pieces created around that theme.
                                                                   
 We never know for sure how someone else will think and feel about our work and I was surprised when some people asked if these large pieces were  dream catchers. They stand 6 feet tall and the circles are 25 inches in diameter. Once the comment was made I went though a range of emotions. The dream catcher has felt overdone to me, almost a bit kitchy. I wasn't feeling great about this reaction, until I watched and talked with the dream catcher people who were truly moved by how they felt. They changed my mind about dream catchers and how I feel about showing work.

From there it was easy to let go of my first reaction and let the art be what it is, open for interpretation for one and all. Not every one thought dream catcher, not every one liked them but the feedback was nourishing on all levels. I will strive to make myself clearer with future pieces knowing that not everyone will see as I see. In February I was walking by my front window and the reflection begged a photo. Kind of dreamy I think!

Do you think art pieces should have a clear message? How would this interpret across cultural boundaries? What could speak to all the cultures in the world? Here is where my mind will be as I go back to working with production pieces for the afternoon. (one of the benefits of production work).

Enjoy life!  
Pam



Saturday, April 17, 2010

What? Why? What The...? (The Importance of Explaining)


Powder room. First visit to the home of a delightful couple. Dinner party. Opportunity to get to know one other. Powder room: tastefully decorated, little shelves lined with hedgehog collection, and a bathroom guest book. How delightful! I sign - of course.

Post dinner party. Apologetic phone call is necessary to explain why I signed as I did in said bathroom guest book.

Explanation:
While traveling around England with my parents many years ago, I signed Hugh Jarse into every sign-in book I could get my fingers on. After a week or so of doing this, while in one particularly large, quite, somber, ancient church, my mother was signing in after me and read my signature:

"Hugh Jarse? Hugh Jarse!? Who the heck is Hugh Jarse?!" She exclaimed out loud (and rather loudly), attracting the disdainful stares of two old ladies lighting candles nearby. Suddenly my mother realized what she was saying! Very funny moment - gave us many years of rolling-about-laughter.

Why am I telling you this? Well, being an artist, I strive to explain my thoughts, musings and passions, using my marks, colours and materials. And then, because artists need artist statements, I search for the words to explain - Why these marks? Why these colours? Why this particular subject matter? And why does it matter?

Recently, we, of SEVEN, challenged ourselves to pare down our artist statements to 30 words each.  If you'd like to try this, here's how I met this challenge:


Take 1,000 (or more) soul-searching, heart-pouring, here-is-my-inner-being-laid-bare-for-all-to-examine, words

Question each paragraph. Combine paragraphs that have similar meanings

Question each sentence. Combine sentences that have similar meanings

Get rid of all redundancy.

Analize every word in your statement, using a thesaurus, to apply the most meaning, the most impact, the most power to your statement.

Now read it to select individuals and ask them to tell you what they understood from it.

Rewrite as needed.



And voila! You have a clear, suscinct, powerful, direct explanation of what you're doing and why. Very useful for verbose artists, confused artists, and non-artists at dinner parties, gallery openings and when your grandmother asks why you don't have a real job.

So, why did I choose to sign Hugh Jarse in the bathroom guestbook after all these years? Well, the dinner party hosts gave us the grand tour, highlighting furnishings that had belonged to her mother. Got me thinking about my mother and her furnishings and when I saw the bathroom guest book – well! My mother had one in her bathroom! In one sentimental moment, it became quite clear to me what I would do to honour my mom.

There's just so much inside ourselves that is meaningless to others unless we can properly communicate it.

Wednesday, March 24, 2010

Inspired SEVEN member and tapestry weaver on the loose!

July/August is coming up at an incredible speed. Well, speed is relative, but the days do keep disappearing and very soon it is not longer March but April. This means that I have to turn up the heat under myself in the effort of making my ideas for our EXCHANGE exhibit come to life sooner than three days before I have to board the plane and head for Copenhagen.
Today I picked up the glauber salts and the dyes which I had ordered at Gaspereau Valley Fibres, a much visited local yarn and fibre place.


It is not as if I had no dyes already, but it is important to always replenish your stash before you start another big production.
I had spun three ply skeins with different fibres represented in each skein. The original hue or colour of each yarn chosen for the ply was decided upon intentionally for its effect on the final dye result.




The skeins of yarn soaked in the tub  while I was out doing errands and thus when I returned home just before lunch it was nice and easy to put on the big dye-pots and all I had to do was wait for the water to get to a boil





When the two post started steaming I added dyes mixed to my liking and dumped the skeins into the bubbling liquid. I use two large pots at a time since once I am in it, it seems it just cannot go swiftly enough for me.

The next step includes lots of patient stirring and waiting for the water in the dye pots to go clear = for all the dye to be absorbed in the fibres. This can take quite a while so the trick is to have something on the go in your head or a good radio show in your ear.


Sometimes I pour the skeins into 11 liter icecream containers for their cooling period, that way I can get back to dyeing the next lot. It is interesting to watch the un-dyed wetted fibres up close to the newly dyed and vibrant skeins.





 I had  dyed some very small samples of yarn last week in order to see if I was headed down the right path with the dyes and the yarns. I checked it out by weaving and trying out techniques on my small tapestry copper frame  and this is what the sample looks like at this moment in time.





And as a little 'pre-view' to the larger not yet finished tapestry,  this is the initial idea put down with water colours to get a clearer vision of where I really wanted to go with the EXCHANGE exhibit in Denmark at Basal Elin Kunst in Copenhagen, and VærkstedsGalleriet, Kerteminde, my view of walls and surfaces which I have observed and felt inspired by here in Nova Scotia, Canada.



Cheers, Pia
Wonderous Woolerie

Wednesday, March 10, 2010

Sunshine!

Spring is in the air in our beautiful valley. Looking forward to our Seven slumber party at Marilyn's next week.  Lately, our monthly meetings have been all business, business, business - building up towards our trip to Copenhagen.  (It's mind-boggling how many decisions and tasks there are!) 

We all agree that we need more fun, more creativity, more cheer and perhaps some wine or chocolate martinis and popcorn.  Natchos and salza would be nice, and those yummy chocolate coated peanuts, and oooo humus and crackers!  Oh, and gummy bears, jelly beans are good too...  cake!  Got to have cake, oh and cookies!

- Deborah