Peek

With our exhibition at the Craig Gallery opening in less than two weeks, I thought to peak your curiosity a bit by sharing my artist statement and one of my images.  I hope you come to our opening reception.  There'll be wine and cheese and yummy treats, great conversation, old friends and friends you haven't met yet and, of course, great art and all seven of us Valley artists!

My Artist Statement :: Streetscapes and thoughtscapes.   Reflected constructions of placeless places where fluid and fleeting exchanges between pedestrians and mannequins occur.

We instantly imbue any human form, whether corporal or constructed, with personality – with story. It's this autonomic exchange which drives my work. I particularly enjoy that this anthropomorphism is applied to strangers, animals, toys with faces and even headless mannequins!

Until next time....

Deborah

You're Invited!

No matter, how much planning ahead we do, it seems that all the tasks required to open a show bunch up in the final 3 weeks.  We're all excitedly working on our art, planning our artist talks and talking up our opening reception.

We're a happy group of creative individuals who take our art seriously, but know how to make time for laughter and sharing.  We'd love to tell you about our Danish and Nova Scotian experiences and we hope you'll share in our exchange at the Craig Gallery.  Here's your invitation:

Until next time,
Deborah

Intentions were good...

Sometimes life's adventures take up all of one's time, leaving little time to blog about life's adventures.  Such was the case during my adventure that began in Denmark and spilled over into these days since my return.  

I embarked on this artistic exchange, fully open to absorbing the Danish culture's art, design and aesthetic - consciously unaware at the time that these are, of course, methods of communication. I fully expected to return with a new clarity to “seeing” that one often experiences after time spent elsewhere. I certainly didn't expect to come back with a new-found awareness of intent in communication.

Placing visual communication aside, I quickly discovered that travelling with three other strong, independent women, places every nuance, word and expression under a microscope of scutiny. The situation challenges one to be conscious of word choices, tone, phrasing and even silences.

By immersing myself in this exchange with SEVEN, by stepping away from my usual surroundings, routines and companions, I gained clarity – clarity of my own communication shortcomings. I've been humbled to know that after 48 years, I'm still not the great communicator I was hoping to be.

But, through this exchange, the ground has shifted - or I've shifted. I can now see how deeply affected we all are by the intention behind communication of every kind. Our intent is paramount. No matter what form it takes - be it a piece of music, a speech, a painting or a conversation with a friend, what matters most is intent. Whether we consciously realize it or not, we all see through to the real intention - the true reason for the communication, which explains why we may be moved by one thing and not another.

My opportunity now is to enhance all facets of my communications, both visually and in my everyday conversations - to hold my intent close so I can keep an eye on it.   

Peace,

Deborah

Let's get down to the art of it!

Yesterday, we visited open studios and met several artists along Roerholmsgade.  They were all friendly, interesting and engaging and some even plan to visit our exhibit here in Copenhagen.  Speaking of which, we hung our work today and will put the finishing touches on tomorrow.  Here are some before photos:

Venlig hilsen,
Deborah

Smooth Sailing!

We were tired after the arrival to Copenhagen on Friday afternoon, but thankfully there was someeone to pick us up at the airport, two cars with two happy drivers whom I hadn't seen for 5 years. Time easily passes when living on two different continents.
We scaled the stairs to the fifth floor appartment we have been installed in - and ... The suitcases flew up the stairs, helped along by my brother who ..... Lives on the 6th floor and bicycles every day. Thank goodness for his help, we made it up with some huffing and puffing but no danger of cardiac arrests, our legs will be extra strong when leaving to go home again.
A telephone call was made to the shipper before closing time and ..... Tomorrow morning, Monday, we will go to the gallery just before 9 am and wait for the delivery truck to arrive sometime before lunch. We did make it down to the gallery on Friday afternoon and visited with Elin Friis the gallery owner for a little while, got instructions and a key, we really are here and tomorrow it starts up full speed ahead getting the exhibit out of the crate and organized on the walls.
Deborah did post a blog for SEVEN on Friday .... But in the jet lagged atmosphere of the appartment it ended up here
Such is life and today is another grand day with inspirational visits around town, much walking and even more talking and planning for future work and ventures.
Stay tuned!
Pia

Arrival and departure

It is early in the morning and I am done sleeping for now anyways.
Yesterday was a big day - which started out with an email notice that our crate is ..... Where it is supposed to be for now, in storage with the shipping company in Copenhagen, Denmark.

Phew, deep breath, now it is time to start thinking seriously about how to and what to pack.

Except there was one more important point before commencing to pack to take care of yesterday. A couple of months ago we had contacted the local CBC Radio Station to let them know that we were up to something exciting, interesting, something worth while informing their listeners about. Yesterday on the programme Close to Home, CBC Radio I had a few minutes in a telephone interview to talk about our adventure and our plans.
I prepared lists, I called around to the SEVEN ladies and asked questions about which words specifically they wanted me to use when/if describing their works,I made lists, plural, mostly because I was doing it on the confounded confuser and so ... In the heat of the moment I deleted the first very exciting and full list. Once I discovered that and I had my breathing under control again I made a new very satisfying list with our general goals and other important stuff.
Then it was time for the interview and ... Time flies when you are having fun they say, even nervous fun I now know is covered by this, for ... In two blinks of an eye Yvonne Colbert was wrapping it up again and I was hanging up the phone.
On the table in front of me was the initial hand drafted list and on the screen was the confuser list and in looking them over I realised that I hadn't really covered one tenth of what I really wanted to express, and talk about. So many points of importance (to us I might ad)so little time, and in real life I suppose that what would suit my needs as an incessant talker would be more like a three hour show featuring a monologue or perhaps a panel discussion with SEVEN.
In hind sight it probably is very good that I only got a few minutes, they took enough planning as it was and overall I think we are ready to start the trip and not interested in anymore time consuming planning sessions in order to make another another large impact statement.
As we are just arriving in Denmark the second of two articles written about us in a Danish arts/craft magazine, Husfliden will be sent out to their membership - we had to make sure we were covered in the Danish Press as well. We have been in contact with the local newspaper covering the area where we are exhibiting at the gallery in København, Østerbroavisen and I know that they are working on making room for our press release as well as the ad we have ordered. It is beyond exciting to be doing this, beyond description to feel the wave of support we have met where ever we have turned, and this is only the beginning, we aren't even there yet. Wow is all I can say!

Group Goals which help us keep focused:
1. Create opportunities/shows together
2. Artistic companionship
3. Professinal Development: artistic and the business of being an artist
4. Yipppeee Factor ... Getting Juiced Up!

We are on our way,

Yeeeehaaaaaww, this is me galloping across the kitchen floor swinging a skein of yarn with glee!
Pia

Fill the Big Crate Day!

Tomorrow is the big day, we will be packaging up 49 pieces of art work, in all shapes and sizes. We are planning to meet at noon when according to weather forecasts the rain is supposed to stop, which is good since the crate is too large to get into anyone's house anywhere, except that is if you have a big wide barn door and a forklift.

There are of course no photos of this event in this piece, since what I am talking about hasn't happened yet, but it is busily and happily making noise and summer saults in my head.
I cannot decide if this is like:
A - the night before Christmas, when often a lot of time is spent excitedly packaging up this year's treasures or treats to be shared in the morning or....
B - this is like sending  your kids off to summer camp for a while, wondering if there are enough dry socks (styro foam) warm sweaters (bubble wrap) and the little bag with toothpaste and brush and all the necessary grooming utensils (official documents galore stapled on the inside and the outside of the box) perhaps never even to get unpacked and used.
It is not easy, for me at least, to let go of tapestry pieces when I haven't had time to hang out with them for a while - there is an emotional attachment. I guess I like to do a slow travel through all the ideas and visions and how they came to be as I look at them and feel them.
The other vision right now is coming to fruition and we really are going. On my new Ipad which I talk about so often these days I have found Trepkasgade #5 and when I push the right buttons on Google Maps I can go and 'stand in front' of the gallery we are exhibiting in Copenhagen.
I can look at the shapes of the art which is hanging there and I can almost see it through the glare of the windows.
These are my thoughts for this day. The day before gathering the goods up and organizing everything safely and comfortably in the box. When we wave goodbye to the box tomorrow afternoon when we leave Marilyn's house it is scary and fantastic and amazing to think about the fact that next time we encounter it and put our hands on it  ........ it will be in Trepkasgade, in Copenhagen, unloading and preparing to hang our show, which has been underway for so long and from so far away.
And as I got to here I did realize that..... I can probably attach a jpg of our poster for all to see and enjoy!


Sweet dreams and fruitful visions everyone! Cheers, Pia

What? Dream Catchers?

Keeping it short today. Trying to stay away from the dream world and focus on all the tasks at hand.

Our last show was Awakenings. These are my pieces created around that theme.

                                                                   

 We never know for sure how someone else will think and feel about our work and I was surprised when some people asked if these large pieces were  dream catchers. They stand 6 feet tall and the circles are 25 inches in diameter. Once the comment was made I went though a range of emotions. The dream catcher has felt overdone to me, almost a bit kitchy. I wasn't feeling great about this reaction, until I watched and talked with the dream catcher people who were truly moved by how they felt. They changed my mind about dream catchers and how I feel about showing work.

From there it was easy to let go of my first reaction and let the art be what it is, open for interpretation for one and all. Not every one thought dream catcher, not every one liked them but the feedback was nourishing on all levels. I will strive to make myself clearer with future pieces knowing that not everyone will see as I see. In February I was walking by my front window and the reflection begged a photo. Kind of dreamy I think!

Do you think art pieces should have a clear message? How would this interpret across cultural boundaries? What could speak to all the cultures in the world? Here is where my mind will be as I go back to working with production pieces for the afternoon. (one of the benefits of production work).

Enjoy life!  

Pam

Lapse

I've been thinking a lot about the word exchange.  I will not be joining my artistic companions in Denmark, and the nature of my exchange will be filtered.

Philisophically I find this very interesting.  Thre are only so many experiences we, with our limits, can have.  There are newspapers, novels and friends.  But when opening our lens to the world, even the neighbourhood next door, it seems, we need to invite more.

Something should happen in an exchange.  Something zingy.  A moment of recognition.  Like what happens when you look down and see your shape squished in tall grasses, moonlight filling it.

When I think of exchange, I imagine a lapse in emotional distance, connection in the midst of context laid sometimes with care, sometimes thoughtlessly, sometimes by chance.  From this vantage, a major part of any exchange is actually the background:   your life's accumulation of sleep, the number of times you have known yourself wrong, good;  whether you count swiftly, slowly by ones, tens, hundreds, zeroes.

SEVEN is seven people sharing one context some of the time.  We meet for three hours once a month, mostly doing business.  Ok, so who is going to write that grant?  The blog schedule is as follows....   My job is to write the agenda and make sure we stay on track so we can get the work done.  I like creating a safe place for others and myself.  I like laying the context and don't mind when it is dull, flat, distanced.  But my job is also to make sure we get the business done, so there is time to share our art, our experiences, laughs.

Even after the agenda is followed and everyone has had a chance to speak  ...we often want more.   I don't even think I know what it is precisely.  But I do know when it has happenned.

At the last meeting of SEVEN, I explained that I just didn't know how to respond artistically to the Denmark show.   I was truly happy for everyone going ...but that wasn't cutting it.   Emotionally, I felt too disconnected.   They said, well, you could write about that.  "Oh great." I laughed with them; then with a deepened radio announcer voice boomed,  "The indifference of Kelly."

Not exactly something to be proud of; but potentially, a starting point.

Customs...required homework.

Earlier this year I took the opportunity to join an In Market Educational Export program travelling to Chicago with NSBI. I wanted to have the experience of travelling with ‘samples’ and making my way through customs as well as learning the ins and outs of exporting. The Centre for Women in Business had provided a workshop to inform 7, The Artists Collective what we needed to research before our Danish adventure.

I was bringing jewellery samples and could have adorned my body, my travelling companions and my suitcase to avoid this step at customs but what would I have gained? This way I was able to see the inner sanctums, meet some eventually friendly agents and have a personal escort by the head of the U S port authority to the boarding area!

Preparations. Use your business letterhead and make an itemized and detailed list of all samples including prices. Take copies of the list. That I did. Declare that I am bringing in commercial samples. That I did. (This puts up a yellow flag for each inspector.) No problem…as I knew I had followed the right steps. So my first jewellery showing was on the moving belt. Too bad these folks have to remain so stone faced. I don’t know if he was impressed with my work or not but he did think it worthy enough to ask me to show it to the fellow at the next desk. The red flag was thrown down.

Jewellery showing # 2. “Do you have a carnet?” he says. “What?” I say. “I guess not” he says. And the conversation carries on mostly about the fact that I will definitely be bringing the samples back…Not Selling Them. He feels I should meet another member of the team ... so I am escorted into the next room behind the frosted glass doors. This is a large room with a waiting area, a few tall desks with computers and no people. I take my seat and check the time. In a few minutes I am greeted by a gentleman who asks for my passport and I wait patiently while all the details are entered in the computer. We carry on the same conversation about my intentions with the samples. He is convinced I should be able to take them but maybe I haven’t used the right forms. He’ll just call in the new head of  Homeland Security Halifax Airport and see what he thinks.

Jewellery Showing #3 This was my best showing yet! We had a great conversation about my use of recycled vinyl records, his love of music and Nova Scotia. His concern had shifted to Canada Border Services and how would I be able to get these back into Canada. They were both kind enough to be aware of my flight time. He sees no problem but will call an agent from Canada Border Services to join us at the boarding gate.

It was interesting, to say the least, to see the members of the trade mission watch me and my uniformed escort make our way through the lounge. We had met the previous week.

Another 10 minutes pass while we wait. He asks for my business card so he can show his wife my website. The previous inspector arrives with a paper. He has been searching the document ‘Importation of Commercial Samples'. It is a copy of page 12 and after reading this says I am good to go. The CBS agent arrives and says they have no problem either. I’ve got time left to grab a juice and a muffin, greet my travelling companions and let my red cheeks return to normal before boarding.

I did it an acceptable way but could have avoided this by visiting CBS and filing an E-15 or shipped the samples to arrive before me. A Carnet is only necessary with goods valued over $2000.00. Next time I will dot the i’s and cross the t’s twice! Good thing I had arrived the required 2 hours early for the flight. Denmark should be a breeze after this.  Pam

Language

Using language correctly when you are trying to communicate in a different culture is acutely important. When making the effort to write/speak as clearly as possible the chances of misunderstandings occurring are greatly diminished and thus clear communications can take place and lead to happy endings and great results.
A challenge for this trip which I think about and face every day of my life is ‘the language barrier’. Fortunately for me my brain and my tongue have never really considered English a barrier. However, now we are going the other way - and although the majority of Danes are quite used to both listening to and using the English languages it is still important to be  very clear and concise.
And so the challenge for me on this trip is to polish up the language which I grew up in. But since I don’t use it with lots of people for exchange of ideas and thoughts every day the vocabulary tends to stagnate a bit.
This I discovered to my great dismay when I sat down to translate our bios - well, I thought it would be a ‘quick job’. And I was wrong.
The thoughts which were so clear and vibrant in English suddenly got muddled and murky when I started to translate. The intensity of the sentences or the ideas were weakened and truthfully I started to sweat a little.
Someone had mentioned the translation services on Google and I admit that initially I laughed it off. But as I struggled along I thought, ok, what will happen? and .... I asked Google to translate a bio for me. What happened was not that I was suddenly relieved of all the work.
No, I still had to keep myself in the midst of the word pie. What became abundantly clear though was that now I could see what the words in the bio were not saying. When the translation was way off in left field it became easier for me to see or hear the word combination which was the right one for this or that sentence.
It was quite a revelation, for the ‘confuser’ translations were sometimes so outrageous that I had to laugh before I changed the words and thus was able to get the ‘right’ sounds and feelings out of each bio.
I also had the great pleasure of spending lots of time on Skype with both a friend and family members, whom I had sent all the bio’s to. I had several hours of language discussions switching between Danish and English before being satisfied that the translations sounded great and coherent in Danish as well as being as true to the original English pieces as possible.

First tapestry for the exhibits in Denmark coming along nicely - ah, the inspiration of those walls around us can be quite captivating and twisted!

These days I am working on putting together an article for the magazine Husfliden, a magazine connected to VærkstedGalleriet in Kerteminde where we will exhibit our creations from mid September until mid October. The article is fermenting and changing shape and colour most every day, but I do think that it is almost there - the time is neigh for the words to come out in one long stream - hopeful a coherent and delightful stream. We shall see.

Weavingly yours,
Warped participant in SEVEN,
Pia
Wonderous Woolerie

Inspired SEVEN member and tapestry weaver on the loose!

July/August is coming up at an incredible speed. Well, speed is relative, but the days do keep disappearing and very soon it is not longer March but April. This means that I have to turn up the heat under myself in the effort of making my ideas for our EXCHANGE exhibit come to life sooner than three days before I have to board the plane and head for Copenhagen.
Today I picked up the glauber salts and the dyes which I had ordered at Gaspereau Valley Fibres, a much visited local yarn and fibre place.


It is not as if I had no dyes already, but it is important to always replenish your stash before you start another big production.
I had spun three ply skeins with different fibres represented in each skein. The original hue or colour of each yarn chosen for the ply was decided upon intentionally for its effect on the final dye result.

The skeins of yarn soaked in the tub  while I was out doing errands and thus when I returned home just before lunch it was nice and easy to put on the big dye-pots and all I had to do was wait for the water to get to a boil

When the two post started steaming I added dyes mixed to my liking and dumped the skeins into the bubbling liquid. I use two large pots at a time since once I am in it, it seems it just cannot go swiftly enough for me.

The next step includes lots of patient stirring and waiting for the water in the dye pots to go clear = for all the dye to be absorbed in the fibres. This can take quite a while so the trick is to have something on the go in your head or a good radio show in your ear.

Sometimes I pour the skeins into 11 liter icecream containers for their cooling period, that way I can get back to dyeing the next lot. It is interesting to watch the un-dyed wetted fibres up close to the newly dyed and vibrant skeins.

 I had  dyed some very small samples of yarn last week in order to see if I was headed down the right path with the dyes and the yarns. I checked it out by weaving and trying out techniques on my small tapestry copper frame  and this is what the sample looks like at this moment in time.

And as a little 'pre-view' to the larger not yet finished tapestry,  this is the initial idea put down with water colours to get a clearer vision of where I really wanted to go with the EXCHANGE exhibit in Denmark at Basal Elin Kunst in Copenhagen, and VærkstedsGalleriet, Kerteminde, my view of walls and surfaces which I have observed and felt inspired by here in Nova Scotia, Canada.



Cheers, Pia
Wonderous Woolerie

International Transplant

Hi, I am Pia, the transplanted Dane in the group who has had the immense fortune of landing in this beautiful spot on earth, Nova Scotia, Canada. I am a textile artist, a weaver of shawls and scarves, and a tapestry weaver from the inner core of my being.

Barn wall, inspiration for Tapestry #1
I have lived here since July 1989 and have enjoyed each day, every day, all day. Watched my kids grow up and fly away from our comfy nest on strong Canadian wings with a feather or two of their Danish genes shining through.
So many opportunities have shown themselves and one of the biggest ones I would say is when life took a turn of its own and I suddenly found myself with this group of fun, interesting and inspiring women. We are all full of passion about what we do. I think we dream it at night, and float away on thoughts about projects in the middle of the day. Our creativity is pervasive in our every breath and........ it is lovely, exhausting and very inspiring.
I grew up in Copenhagen, Østerbro to be more precise, and it is lovely that our first exhibit in Denmark will take place in Trepkasgade at Galleri Basal Elin, just a few blocks away from where some of my siblings still live and bring up their families. Big City surroundings, lots of buses, cars, bicycles, and bicycle paths, trains galore to get from A to B or just strong legs, used to getting from here to there at a brisk walk.

Living here in the Annapolis Valley, Nova Scotia is something I would never trade - I cannot easily see myself anywhere else now. It has to be added though that when Seven decided to travel with me to Denmark and we were given the opportunity to exhibit our artwork, not only in one or two places, but a third place turned up - well, then I did get rather and extra excited about the whole plan.
National pride is something funny, you never know when it will turn up and how it will express itself. As it is for me right now, I have so may interesting places I would like to take my group to when we arrive in Copenhagen - Cannot wait to take them all to the top of Rundetaarn, so they can look at the city roofs, new and old, a place which I usually go to when I do go back for visits. Art museums - Statens Museum for Kunst, where I remember doing an essay about a most humongous painting when I was 17 and getting a good grade for it. I spent hours in front of that painting - do not know if it is still there, but ...... I know the museum was renovated some years ago and so there will be so much more and other pieces of art for us to look at and to get inspired by.
My approach to "Exchange" is to study and get inspired by the surfaces, textures and colours on buildings surrounding me where I live, and when I go to Copenhagen I will study the surfaces surrounding me where I grew up - back then I may not exactly have noticed them.

This is a steaming pot of newly dyed yarn for the first project which is off the loom already.

Piece #1 came of last Sunday, it still needs to be finished up for hanging, but it is off the loom and the warp has been re-tied and tightened so when the yarn has been dyed I can sit down and start to weave this next expression of joy which is galloping around in my brain.
Today I will start organizing wool and yarn for the next tapestry piece which I will bring to Denmark. 
 
Until next time I have an overflow of words spilling out of my fingers,
Pia

Sunshine!

Spring is in the air in our beautiful valley. Looking forward to our Seven slumber party at Marilyn's next week.  Lately, our monthly meetings have been all business, business, business - building up towards our trip to Copenhagen.  (It's mind-boggling how many decisions and tasks there are!) 

We all agree that we need more fun, more creativity, more cheer and perhaps some wine or chocolate martinis and popcorn.  Natchos and salza would be nice, and those yummy chocolate coated peanuts, and oooo humus and crackers!  Oh, and gummy bears, jelly beans are good too...  cake!  Got to have cake, oh and cookies!

- Deborah

Simple Jewellery Repair with the Lakeville Woman's Institute

I have lived in Lakeville, N.S. for 27 years. It has been a wonderful place to raise a family, and grow our souls by living rurally and enjoying all the benefits that come with this life style. To meet the community  I joined the Lakeville Woman's Institute. I was a 'younger' member and was welcomed whole heartedly by an incredibly diverse and busy group. While a member I attended outings, catered dinners, ran community projects, and raised funds for our community and other women with needs around the world. It was a supportive community to learn how to do many things. Many of these things I have been able to use in our Art Collective 'Seven".
I look forward to tomorrow when I will go back to the Lakeville Community Hall and an afternoon meeting of the Lakeville Woman's Institute to share some simple jewellery repair techniques.

EXCHANGE  (noun)  giving of one thing and receiving of another in its place.

Seems to me this is how community is built and 'exchange' is happening around the world. I am optimistic!